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Auditions for The Rocky Horror Show Aug 22 and 23

 

Auditions for Richard O’Brierock-horror-logon’s The Rocky Horror Show will be held at Theatre Tallahassee 1861 Thomasville Rd Tallahassee FL at 7 PM on Monday, August 22nd and on Tuesday, August 23rd at 7 PM.

Please come prepared to sing a 16-bar song selection and bring sheet music. Musical theatre or Oldies Rock N’ Roll stylings are preferred. An accompanist will be provided. A capella singing is not encouraged. Taped accompaniment is not preferred. A monologue is not required. You may choose to attend either Monday’s or Tuesday’s auditions, attendance at both nights is not required.

Auditions will consist of individual song selections and readings from the script. Please refer to the audition packet for the readings that will be used at auditions.

Actors may be invited to callbacks on August 24 at the discretion of the director. Callbacks will involve singing selections from the score and a dance audition. Please plan to wear clothing and footwear appropriate for movement if you are invited to attend callbacks.

Performances will be held on October 21st, 22nd, 28th, and 29th. Curtain will be at both 8:00 PM and 11:30 PM on all performance dates for a total of 8 performances. All performances will be held at The Junction at Monroe 2011 S Monroe St, Tallahassee, FL 32301.

For more information including staff profiles, character breakdowns and sides that will be used at the audition, please download the audition packet below.

pdf-iconRocky Horror Audition Packet

 

Richard O’Brien’s

The Rocky Horror Show

Book, Music and Lyrics by Richard O’Brien

Richard O’Brien’s THE ROCKY HORROR SHOW is presented by special arrangement with SAMUEL FRENCH INC.

Announcing our 2016-2017 season

We are very proud to announce our 2016-2017 season. We see you shiver with antici…

rock-horror-logo

The Rocky Horror Show

Book, Music and Lyrics by Richard O’Brien

Performances October 21, 22, 28 and 29, 2016 at The Junction @ Monroe 2011 South Monroe St

Auditions August 22, 23 at Theatre Tallahassee with callbacks August 24 at the director’s discretion. (More info)

 

That sweet transvestite and his motley crew do the Time Warp again! Complete with sass from the audience, cascading toilet paper and an array of other audience participation props, this deliberately kitschy rock ‘n’ roll sci fi gothic is more fun than ever. Directed by Jilian Wesolowski.

 

In the HeightsINTHEHEIGHTS_Title

Music and Lyrics by Lin-Manuel Miranda
Book by Quiara Alegría Hudes
Conceived By Lin-Manuel Miranda

July 7-9 and 14-16, 2017 at Theatre Tallahassee

Audition dates TBA

In the Heights tells the universal story of a vibrant community in New York’s Washington Heights neighborhood – a place where the coffee from the corner bodega is light and sweet, the windows are always open and the breeze carries the rhythm of three generations of music. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind. Directed by Krystof Kage.

…pation

Auditions for “Murder Ballad” November 8 and 9 at 7pm

Auditions for Murder Ballad to be held November 8th and 9th at 7 PM at Pyramid Studios 1910 Commonwealth Lane, Tallahassee, FL.

Please bring 16 bars of sheet music and prepare your own song. Additional singing sides will be provided at the auditions.

Rehearsal Schedule

Monday – Friday, 7-10pm. There will be breaks in this schedule for holidays.
Show Dates: January 7-9 and 14-16, 2016

About the show
A steamy exploration of the complications of love, the compromises we make, and the betrayals that undo us. “Murder Ballad” is the dramatic story of a love triangle gone wrong, centering on Sara, an uptown girl who seems to have it all — but whose downtown past lingers enticingly and dangerously in front of her.

Roles
Narrator
The storyteller, providing all the transitions between the various scenes, and occasionally speaking for the characters themselves. Philosophical, poetic, and a little opinionated.
Female, 20-55 yrs old
Range: F3 – E5

Sara
Once Tom’s lover, she is an ambitious starving artist and musician. Initially depressed, and jaded towards men after a sordid relationship. Michael helps her find happiness again through their marriage, from which she eventually strays.
Female, 25-40 yrs old
Range: E3 – E5

Michael
A poetry PhD who Sara elicits, and her eventual husband. Sweet and calming, he is willing to provide nothing but the best for those he loves. He shows how cold he can become when he finds out about Sara’s affair.
Male, 30-45 yrs old
Range: F#2 – A4

Tom
Sara’s first lover, an ambitious starving artist and actor. His alcoholism, constant affairs, and general selfishness put a strain on his relationships. He becomes obsessed and stalker-like in his mannerisms toward Sara.
Male, 25-40 yrs old
Range: G2 – F#

Meet the Cast of “The Last Five Years”

Meet the cast!

Artistic Director Krystof Kage shares an interview with the cast.

“All of the build-up of launching a new theatre company has led to this, and as the director of the show, I couldn’t be more excited for Tallahassee to experience this wonderful piece of work.

Aron Wesolowski and Adelina Mitchell play the roles of Jamie and Cathy, respectively, and I had a chance to bombard them with a few questions before we jumped into the last hectic two weeks.”

Read More:

http://blogs.tallahassee.com/community/2015/06/26/meet-the-cast-of-nstws-the-last-five-years/

 

Tickets available for “The Last Five Years”

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Tickets for “The Last Five Years” are available online and may also be purchased in person at the box office at 1861 Thomasville Rd. starting July 3. 

Box Office Hours
5-7pm July 3, 5-9 and 2 hours prior to performances July 10-12, 17-19.
CLOSED JULY 4

850-224-8474 – boxoffice@nstw.org – Purchase tickets online!

Seating for “The Last Five Years” is general admission in the Coffeehouse at Theatre Tallahassee, located at 1861 Thomasville Rd, Tallahassee, FL 32303.

Admission

  • Adults $18
  • Students and Seniors $16

The Show

The Last Five Years is a chamber musical that documents the rise and fall of the relationship between Cathy and Jamie mostly through songs with little dialogue. One of the musical’s structural highlights, however, is that Cathy’s story is told in reverse, while Jamie’s story moves forward in the traditional sense. The intersection of the songs and story is both time-hopping and transfixing to watch. The musical was recently made into a major motion picture starring Anna Kendrick and Jeremy Jordan.

Written and composed by Jason Robert Brown.

Presented through special arrangement with Music Theatre International (MTI).

The Last Five Years contains some strong language.

Tickets for “The Last Five Years” are available online.

Just in case – the struggle of understudies

Somebody else is going to be listed in the program for a role you have been working on for many weeks. Somebody else is going to sing the songs and say the words you have memorized. Somebody else is going to put on that costume that fits you just a little bit better. Somebody else is going to take that bow.


Welcome to the daily struggle that is being an understudy.

Read Artistic Director Krystof Kage’s June 19, 2015 blog entry at the Tallahassee Democrat Online Community blog here: Just in Case – The Struggle of Understudies

We are family… Uh oh …

Theatre people are family. We have spent many late nights together, working on a show or socializing after seeing one. We have shared personal theatre stories and know the names of everyone’s kids.

 
And for people who come into auditions for the first time, it can be quite daunting. Everyone seems to know each other, and that doesn’t bode well for an audition, right? Isn’t the fact that the director just hugged that actress proof that a new girl doesn’t stand a chance?

Welcome to a common misconception about theatre groups in general. Some people think that the same people always get cast because they are chummy with the production crew, or that a small group of people have formed a clique that always takes the leads, or that only the most supremely talented new folks will get a shot – and it will be in the chorus. In some cities, this is actually true – but Tallahassee isn’t one of them.

So, what is really going on in my head during auditions?

Few directors walk into an audition completely blind. I have a general idea in my head about who might show up and what role they might fit – and what roles might be tough to cast because I don’t know a good fit. But I know that auditions can really change my mind fast.

Friends who audition for me have a very tough battle ahead of them. Usually they have made it known that they really want a certain role, but if I just cannot imagine them in that role, they have to prove me wrong with an amazing audition. If they pump themselves up by saying that they love the show and are working hard and have been listening to the CD for years, well, then they had better be incredible or else those high expectations they have set up will tumble quickly. Even if they haven’t telegraphed their motives, they still have to show me something I haven’t seen yet. They have to prove that they have grown some since the last time they were on stage – whether it was my show or not.

Having said that, I sometimes give a friend the benefit of the doubt in auditions – but not for the reasons you might think. They could have proven, through experience, that they don’t audition well, but they are amazing once rehearsal starts. They might have a great work ethic that has shown that they listen to direction well and push themselves beyond my expectations. They might have had a cold, but I know by either seeing them or by reputation that they just had an off night.

However, if they come in unprepared with a song they learned the night before, or take my friendship for granted by just going through the motions and thinking “well, I just had beers with Krystof last week, so I don’t have to prove anything”… well… they probably won’t be cast even if they are more talented. After all, if an actor doesn’t prove they really want the role, 3 other people just auditioned who could play it, and they worked harder to get it.

But what about the people I don’t know? This is where I look harder at the resume and see what kind of roles they have played in the past. Maybe they have worked for a director I know – and I can always give that director a call and ask their opinion. If they are really good, I put them with some of the best actors in cold readings or duets and see if they hold their part of the bargain.

After all, I would be taking a risk with casting someone genuinely new in a lead role for a musical. I have no idea about their dedication or passion or talent or life goals – something I tend to find out during a rehearsal process. They may have had a great two nights of auditions, but what if they showed me the best they had and they aren’t as good after I cast them?

In other words, despite all my knowledge of local actors, talent usually wins no matter what at an audition. A new actor is viewed in a different light than a known commodity – both judged a different way. So don’t be too nervous if you walk into an audition and see me yucking it up with someone who might be competition. We may be a family – but we are always looking for more people to join that family and show us their talent. And underwear.


Read Artistic Director Krystof Kage’s June 10, 2015 blog entry at the Tallahassee Democrat Online Community blog here: We Are Family…Uh Oh…

Volunteers Get the Most Applause

The next time you step into a community theatre, take a moment to look around and count the number of people not getting paid. And once you are done, multiply that number times ten, and you might come close to knowing how many people spent countless hours bringing you a great show without seeing a dime from your ticket.

Volunteers are the true stars of every community theatre show, and most people have no idea how many it takes to turn the experience into a beautiful symphony of art.

Long before we started rehearsals for New Stage Theatreworks’ The Last Five Years, a group of people volunteered to be on a Board to help with the business of the theatre group, while another group helped to form a committee to select the show. After many meetings about budgets and marketing, a few volunteers created logos and a website and social media presence, while the Artistic Director started the recruiting process for the main production team. Even more meetings happened, along with negotiations for performance space and dates, before we could even think about holding auditions.

Every actor in a community theatre show is spending hundreds of hours trying to get things right and seeking no monetary reward for their efforts. The designers, crew, ushers, bartenders, ticket takers, painters, builders, tailors…nearly every one of these important individuals are working for free in their time off from their regular jobs. Almost the entire Board of New Stage is made up of government employees who work all day and “theatre” all night.

Most the the local theatre community simply do all this out of sheer love for the performing arts. Sure, we would love to get paid for all the time we put into a show, but we know that the applause is often payment enough. While a few of us see a small stipend (usually the directors and orchestra get a little money), 95% of the people involved in a show are simply there trying to help create a lasting memory.

And we are not complete experts by any means – we are just people with a passion to help make great entertainment. Some of us are computer nerds who use our skills to develop projections, or people adept at power tools, or just folks that have some extra time to devote to a project. You don’t have to have a lot of talent to get involved – there is a job available for just about anyone with any kind of skill.

New Stage Theatreworks is always looking for more volunteers (get on our volunteer list by contacting us from our website at http://www.nstw.org), and there are many more opportunities at other venues like Theatre Tallahassee or Quincy Music Theatre. Whether you have a lot of time or just a little, there is always a way to help out the community, learn a new skill and gain all kinds of fantastic new friends along the way. We always need a variety of volunteers, from actors to attorneys to muscle to mind…we can find a great spot for you!

Who knows – maybe the next time you step into a community theatre, you might even see your name in the program, and all that applause will be for you.

Read Artistic Director Krystof Kage’s May 29, 2015 blog entry at the Tallahassee Democrat Online Community blog here: Volunteers Get the Most Applause.